Tuesday, January 26, 2010

Part 12: Conspiracy

To Whom It May Concern:

Okay, So I'm not as consistent with this project as I hoped to be. I kinda ran into an interesting personal time in my life so I just couldn't muster much juice for silhouette, but alas while i was at the Tech center with my boy Timmy I've gotten together an interesting little approach that I wanted to put together for this part. The goal is to keep the suspense alive and provide an enjoyable experience. Part 13 is shaping up to be a very meaningful part so I hope that you all enjoy this. And as always the full story can be found from start to current @

talesinmotion.blogspot.com

Now without any further ado I present Silhouette:




“That guy was seriously creeping on you.” The bartender whispers to the Asian member of the stool locked trio.
The pianist from the quartet scheduled to play at 8 but still hadn't started, helps the other musicians tune their instruments. The incomplete sound of C major continuously interrupts the smooth Jazz that plays over the internal speaker system. The incongruence of music drowns the increasing sound of sirens in the outside the club.
“I spoke to him, and told him to cut it down,” he reaffirms.
“I know, but I had it under control.”
Kathy sits at the bar thinking about the encounter with the man who called himself Jim, but wore a name tag that said Chris. She looked down the bar at the two black guys who watched the whole encounter. Their judgmental eyes are piercing. They smile over locally brewed foam like they know a secret about her that they read from a high school journal. A part of her wants to scream, I didn’t turn him down because he was black I turned him down because he was an asshole. She tries to believe this thought.
“He comes here often; sometimes he’s a bit too aggressive.” The bartender informs.
“You just have to put those sons of bitches in their place.” Eric states plainly from Kathy’s side. They look like a cute couple.
“Can you believe he said his name was Jim?” she chuckles.
“Yeah, I can.” Eric says drily. He pauses for a moment and begins the subject that he’d been waiting to talk about all night. “I can’t believe Maria, saw me with my pants down today” he chuckled hard.
“Did not.”
“I pulled them down as you walked in there’s no way you didn’t.”
“I turned around!” She giggles, Kathy glances somewhat suspiciously but decides to pursue the topic on the drive home. For now she just lets the situation on fold.
“You turned around after I shouted, Ah! Doesn’t anyone locked anymore.”
“Well who expects to go into an office and find a half naked man when they need questions answered about an affidavit?”
“You never know what to expect when you have to ask questions around here.”
Maria and Kathy look at each other knowingly and then burst with laughter.
“What?” Eric asks child like, his weathered hands gripping onto the half empty cup. “Waiter please another round of vodka.”
“Oh yes, and I want cherries in mine,” Maria bats her eye lashes at him lightly.
“What fruit do you have back there,” Kathy inquires half leaning over the bar.
“Everything, limes, lemons, oranges, cherries, everything.”
“I want one of all of them then! In a separate cup, with water…and ice.”
“Three straight vodkas, and a host of bushel of fruit coming right up.”
“Well are you girls going to laugh at me all night or are you going to tell me what s so funny ?”
“Nothing
“But,”
“But… you know, you’re dealing with interns Eric. I have no problems coming to ask you questions because when it comes down to it, I can stand up to you but that’s only because I’ve worked for you for what, 2 and half years now ? But most of the interns have only been at the firm for what, 3 or 4 months.”
“So?”
“You can be intimidating,” she says sipping her Vodka. She gags, “Oh waiter, can I have a little tonic in this.”
“Noooo,” he protests, his balding area glowing in the dim lighting.
“No?” Maria replies chiming in the conversation. Her Scottish accent cuts through her words even then.
“I’m not intimidated by you. If I need anything I ask, and its not to say some of them can’t take your criticism. But whenever anybody needs anything they go to Herman because they know he’s the easiest to talk to. But some of them feel they can talk to you.”
“You mean the ones that are good lawyers.”
“Just because you’re imposing, and curt, doesn’t make them bad lawyers.”
“Listen, I’m going to tell you like Roger told me when I made senior partner: You don’t get anywhere in this town by pussy-footing around.”
“Oh God, he’s coming back,” Maria points out, as the black man in the black kangol hat saunters through the club with an arrogant smile. He sports a brown suede coat and extremely shiny shoes. His beard is graying, a point that turned Kathy off previously. Something about being approached by a man in a grey beard that too blatantly pointed out the fact that she too herself was beyond her prime, but not that far beyond her prime.
Chris ‘s Jazz café was a well known establishment in Chicago. Musicians would come from all around the area to showcase, many working 4 hour sets for free, just for the exposure. It was fully wood furnished. The lighting was intimate and ambient. The stage was tucked into the back corner, far enough away from the bar that one could have a conversation. In between the stage and the bar were one two rows of tables that created a path from the door, passed the bar and straight to the stage. On the other side of the stage it was a similar set up that led back to the kitchen. In front of the bar there was ample stool room and another bar top divider that led to another smaller seating area focused around two flat-screen televisions.
The television plays the news. The newscaster mouth silence, as their words show up underneath them in black shaded white type that read:
Over 20 dead in what seems to be intrrlated crimes.
Live feeds flash across the screen that look like war clips. A building burning from the top down, as firefighters try to rescue people from the building. The words read:
What some think may be another terrorist attack.
The screen cuts to images of a bullet strewn side street filled with ambulances and an growing crowd.
Victim appears to be 35 year old Detective Nathan Ramone
Often after work Kathy, Eric, and Maria would come to Chris’ to relax, but not usually on a weekday. And not only that but Kathy wasn’t usually the one men went after; that was Maria’s’ forte.
“Alright now you have a good night now,” He says without a flinch, as if he wasn’t just rejected on his every advance for 15 minutes straight by this woman.
“You too,” Kathy replies with an awkward giggle.
He goes in for a kiss on the cheek but she scrunches her shoulders up.
“Don’t be like that baby,”
“Like what?”
He tries again. She rejects his lips with her sweater once more.
“Aw, you doggin me doll, you doggin, me.”
“And you would think you’d get the message by now.”
“I know you’re hard to get, I respect it.”
“No it’s not that I’m hard to get it’s that-“her words are interrupted by the smacking of his lips against her cheek. He smiles with approval.
“That wasn’t so hard.”
He moves down the line toward Maria.
“I got one for you too sugar.”
“Oh, no no no no, no thank you that won’t be necessary.”
They do an awkward dance that consists of him ducking down to smooch her cheek and her moving back and forth choppily like a running back trying desperately to avoid a tackle. This continues for 25 seconds, real time, before he lands one. No one seems to see the rapidly growing amount of glowing lights that are flashing red and blue on the outside window.
No one pays attention to the brightly illuminated HD television screen as it cuts to images of a blood and lights outside of a orange-glow lit, parking garage.
Flights control says that only moments ago a stolen helicopter was stolen and performed an unauthorized landing on top this complex…
“Okay, that’s enough buddy.” Eric says rising to his feet.
No one thinks to look at the boob tube as the street reporter holds the microphone up to the visibly shaken African American woman in a guard uniform as the words read:
“It was a terrorist attack I tell you! There was 25 of them, they came riding out in an all black Tahoe, shootin’ shit and killing cops.”
“What, what’s the problem?” Jim with the name tag that says Chris’ asks.
“You, asshole, you’re the fucking problem.”
“Hey man, there’s no need to curse,” the space between them is distancing with each lightly drunken step Eric makes towards him. He pushes Jim with the name tag that says Chris.
“Whoa, keep ya hands to yourself baby, you don’t want to do that.”
None sees the images of a blood and lights outside of a orange-glow lit, parking garage, that replay like a skipped recording of death’s love ballad promised to each man, a visual cacophony of gruesome and graphic images that shouldn’t be aired for all to see as the words read:
Suspects at large, citizens are cautioned to stay inside and be with their families, in this time of confusion. Authorities are taking every precaution to ensure the communities safety.
“I don’t?… “ Eric says pushing him again.
“You see the name on the outside of this place, huh?” Jim with the name tag that says Chris’ says pointing to the sign that says Chris’s Jazz Café on the wall.
“So this is your-“ Eric’s words are cut short as the front door of the café is kicked open by SWAT men dressed in riot gear barge in.
“Clear!” One shouts, as squadron of heavily armed beasts pummel into the room.
The music stops abruptly. Kathy nearly falls to the floor. With the door open the sirens blare makes life an inaudible shout of terrible anxiety.
“What’s going on?” The bartender asks timidly.
“We’re looking for Chris Tanner, the owner of this establishment!”
“Wait why?”
“Are you Chris?”
“No,”
“Then I recommend you SHUT THE FUCK UP!” The squad leader yells. “Chris Tanner?”
“I’m Chris Tanner.” Jim with the name tag that says Chris speaks fully.
George takes off his helmet and tackles him, knocking his Kangol over the bar.
“You son of a bitch,” George thrashes about tenaciously as the other SWAT officers restrain him.
“Calm down detective,”
“What I do,”
“I’m gonna kill this son of a bitch,”
“Whoa, that’s enough Detective,” they try to subdue him.
“Chris Tanner, “ The squad leader “ you’re under-arrest for the aiding and abetting of terrorist action,conspiracy, and the death of Detective Nathan Ramone.”
“What I don’t know nothing bout no terrorist? I didn’t do this y’all know that, I was here all night. Terrorists… I don’t know no terrorist. What kinda shit is this? Get out of my bar, I’m calling my lawyer” the squadron men throw him to the floor and cuff him.
“I got rights.” They pick him up forcefully and push him out the door.
“Read him his rights boys,”
“You have the right to remain silent, anything you say can and will be used against you in a court of law…”

Saturday, November 7, 2009

Part 11: Captive

To Whom It May Concern:

So I finally up and made a blog for silhouette. talesinmotion.blogspot.com . I'm going to choose a day and basically post it there on a weekly basis. I swear I'll be consistent. When writing this I was listening to "the nicest thing" by Kate Nash. It has a sick guitar rift that I think is the feeling I was trying to recreate when writing this. Again sorry if there are any errors. I'm having a hard time staying in the present tense. This is the first long piece i written in the present. I'm a past tense kind of writer. Please keep up with the comments. I'm good on the "good stories" and the "Nice's". Those are appreciated. But thank you Nick for your strong feedback on part 9. It was on my mind when writing part 11. Previously on Silhouette: Detective George Thomas was caught in a gripping life and death situation while trying to apprehend his partners killer, when he discovers that this situation may be more complicated than he first surmised!



Now with out any further ado I present Silhouette:




“You don’t follow me, I follow you,” the deranged gloved man laughs. “Do you hear me old man? You fucked up.”

Engine humming, car tires screech, doors open and close. Yes back-up is here, took them long enough.

“Fuck!” the white gloved man kicked the door to the parking lot. He runs out of the stairwell shooting as the car shrieks away. George starts heading down the stairs as fast as he can. What was going on? If that wasn’t back-up who was it?

“Fuck! Ah you just ruined everything!” the white gloved man screams. His shout echoes through the whole complex.

George takes the stairs by leaping flights. Adrenaline overcomes the pain in his back. The door to the first floor bursts open as the Black Yukon Xl rams through the divider. The pieces shatter as sirens howl in the near distance.

Two tires puncture and wheeze as the Black Yukon Xl bounces out of the lot.

“Is everything okay I heard gun shots.” The security guard asks through the crackling speaker.

“I thought I said no one in !” George’s vein bulge out of his neck.

“No ! You said no out.”

Wee-Ooo Wee Ooo

“Damnit! Damnit! Damnit” he walks backward gun pointed at the door.
“What is going on!” the security guard shouts smacking the glass. Her face is the purest expression of fear. Not the fear you feel when in the presence of clear danger, but the fear you feel of the unknown. She eyes the detective prejudicially as she wonders why this had to happen during her shift.

“Stay in there!”

“I wasn’t coming out.”

“If I die, make sure you get a visual of shooter!”

“If you die? What?”

“Don’t argue with me right now just do as I say!”

Sweat drips down the detectives face. His palms moisten. George looked at the door. It seemed ordinary and mundane, but behind it laid possible death. Pandora’s box, he chuckles to himself. He always thought it was a lavish and ornate box made of gold and silver. But he realizes that it was probably cardboard.

Seconds feel like days. Minutes feel like months. A rat scurries down the parking lot ramp.

Bang!

George shoots in its direction.

“What the hell are you shooting at! What the hell is wrong with you? Just shootin shit.”

“I’m sorry,” he yells in his defense eyes focused back on the door.

“You better be sorry, shootin at shit all willy nilly when there ain’t nothing to shoot. If you ain’t lost your mind.”

“I’m sorry.”

“I heard you with your sorry ass. “

“Shut up! I’m jumpy okay. Shut up!”

Just then one police squadron and a black van pull up sirens blaring. They pull up right in front of the security booth, between George and the door. Ugh only one? Didn’t he tell her this was life and death situation? He doesn’t move from behind the booth. His gun is still pointed towards the door.

A chubby cop with a handle bar moustache hops out of the driver seat but doesn’t close the door. He is noticeably grumpy. His belly fights to stay in his pants.

He stops for a moment and notices the detective’s gun drawn.

“Took you long enough!” George spews tensely.

“What seems to be the problem here? “ the jellyroll officer burped. He is a short man with a deceitful stature.

“Sir, Put the gun down.” A lady cop gets out of the car door. Her eyes are alert. She looks around lot, and reaches for her gun. The fat cop does the same.

“No! I am Detective George -“ his words were cut short by the sight of the newly formed hole in the female officers forehead. The blood spurts on her hair as her body falls lifeless. No gunshot just a thud.

“Ah!” the speakers shriek.

“Call for fucking back up!” George says falling to the ground. The bullet went straight through so the shooter had to be up the hill. He is hidden behind the security booth.

“This is a crisis situation!” he continues. Puts his hand out from behind the booth and fires shots up the lots ramp.

The fat officer radios for help. The people in the black van stare out the window. George hears them panicking.

Pssh. Pssh. Pssh. Pssh. Pssh.

Five perfect circles appear on the windshield. The security guards shrieks are constant. The chill of death lives in George’s spine. He ignores the fear and the pain, but can’t escape the horror. What the hell was going on tonight? Everything was moving so fast and he needed to self-reflect.

“Fuck!” the fat cop shouts!

“Can you see him?” George spits out like untested hot soup.

“What?”

“Can you fucking see him!”

“No!”

George thinks to help the people in the car but knows he can’t. If I go over there he’ll kill me for sure.

The door to the black van opens. A beautiful young girl dives out bloody. She wears a black coat that reads CSI in yellow on the back She doesn’t’ say anything. She turns to run out of the lot.

Thud. The puddle of blood draining from her skull leaked towards the fat cop. George shudders. He looks at the lifeless body and thinks of his daughter. That wasn’t his daughter on the ground but she was someone’s daughter. Death couldn’t be arbitrary. What were the odds that this daughter would die tonight? What were the odds that Nathan would be killed and not he? He always thought no one was innocent. He always said that everyone gets it in the end and they get what they earned. What did she do in her life to earn a death like that?

“We’re sitting ducks!” the fat cop shouts

“We can’t just stay here.”

“Back-up is coming,” he confirms

“By the time they get here we’ll all be dead!” George whispers emphatically.

“I don’t wanna die I don’t wanna die,” The security guard repeats over and over. She hides under her desk. “ Y’all supposed to be police. Be police!”

George tries to steady his hand. Think cowboy think.

That familiar laughter starts to fill echo through the lot. It was pale and spacious. He can’t hear where it is coming from. He pounds his fist into the ground. He hated that he could only think to run.

“Why couldn’t you have just stayed with your partner? Huh? Did you even wait for a paramedic to show up? Or did you leave your dead partners carcass laying down there to rot alone on the concrete. That’s cold. ”

Silence.

“No, you had to interfere! You had to get involved. Are you some kind of Robo-Cop? Watch a little too many Bruce Willis movies? When did cops get so fucking brave? Hahahahahahaha! You think this is a game don’t you? Call back-up. If more cops come I’ll kill more cops. But this is how this works: I'm going to give you a chance to run, and then I'm going chase you. Don't you get it this is the story where the villain wins. You die in vain. I get away blah blah blah. You've seen this a thousand times.”

More silence.

The fat cop’s breathing starts to quiver. It is chicken night at home his favorite night. Things like this shouldn’t happen on chicken night.

“Do you know this guy?” The fat cops asks.

“No.” George mouths.

“You never answered me; Watch a little too many Bruce Willis movies? Hahaha, huh? Answer me!” the voice thunders. George hears footsteps coming from the ramp.

The silence is broken by the sound of strong metal chopping air quickly. Is that a helicopter?

He puts his arm around the corner and tries to fire more shots that way.

“Hahahahahahahahaha!”

Bullets pass through the car door like an Olympic diver piercing the water. The fat cop looks at George as his greatest fear seizes him. His eyes pop and he chokes up blood. They lock eyes. The fat cops eyes ask am I really dying right now? George’s eyes say rest in peace.

Part 10: Debacle

November 5th 2009

To Whom It May Concern:

I wanted to post the next part sooner than later because it has been so long since I posted. I want everyone to know that I appreciate feedback. If you have something to say please say it. Whether it be a prediction, a complaint an edit, or a reaction to other people's comments. I am building the story as we go along and I am sure the more you all tell me the better a story we can create. I love silhouette for a number of reasons. I think in the last 4 parts I've been able to really raise the stakes and keep the flow believable. I'm dealing with some fun characters who i'm trying to really develop and make 3 dimensions.
1. Who is the guy with the white gloves?


“Listen! My fucking partner just died tonight alright! If you let anyone out you’ll go to jail for interfering with an investigation!”

His heart races as he pushes the button to the elevator. He steps in and presses all the buttons and steps out of the elevator before the door closes. He runs back over to the booth.

“I’m sorry for cursing at you.”

The security guard smiles with the phone to her ear and waves him on. He opens the door to the stairwell cautiously. His heart races uncontrollably as it swings towards him revealing a dank grey concrete stairwell. He swallows hard like an old cowboy does before a gun fight, and thinks of who will make the walk from his driveway to his front door in the morning.

Detective George Thomas steps are strained. I wish these damn pills would kick in, crosses his mind. The blinking lights in the stairwell flickers. He walks up the stairs gun first. He presses his feet lightly making sure not to make a noise. Not one sound can come from him. Think light thoughts he thinks. The full smell of urine penetrates his nose like strong cologne. He steps over the puddles extending from the corner of the platform in between the first and second floor. As he approaches the wall with the bright yellow 2 covering it he ducks. The door is light blue and the paint is chipping. It has a small square of glass in it. He rises up slowly to see out of it.

Ding!

The elevator doors open. He peeks up and surveys the second floor parking lot. Empty. He trots up the steps a little faster this time, still looking up the stairs for movement. Just then a shadow crosses in front of a light. He throws himself against the wall and tries not to breath. He grits his teeth in pain. He peeks out the window into the third level. Empty. His back asks him how many levels are in this complex. He has no answer.

His eyes focus as hard as they can up the stairs. The poor lighting makes it hard for him to see. He tunes out the hum hum humming of the electricity surging through the wires. Did I really see something or is my mind playing tricks on me, he wonders. Get a grip old man. Just then he sees the shadow across the light again. He spots a figure through the space in between the stairs. A hand in a white glove rests upon the railing up the stairs. Bingo, jackpot!

He hurries up the stairs as quietly as possible. He tries to keep from panting, but he needs a breather.
The number on the wall reads 9.

“I see them now,” The white gloved man whispers. He pauses for a moment as if waiting for someone to speak. George suspects he’s not alone.

“Yes, they think they’ve lost me.”

Images bubble and curdle in George’s mind. He’s thinks back to Nathan’s first police appreciation day when Nathan spilled coffee on George’s uniform. It was the first time George met Nathan’s wife, this was before the three children, the new house, and the affair. Everyone knew that Nathan had the most attractive wife on the force; Ally. Hometown girl from Tennessee, he had brought home from college. She had the sweetest southern accent. They strutted up the block looking like the morning view on an open lake. They were young and refreshing and reminded everyone of it with their bright smiles.
It was a beautiful day. The whole city was festive. They had sectioned off the block in front of the precinct. The street was multi-color balloons and signs that read things “like thank you for everything” and “real heroes”. The whole block smelled of hot dogs and funnel cake. The officer’s families were all out. The children ran around throwing balls and laughing. It had the feel of a mini carnival.
George watched as all the boys in blue went at each other’s neck. Nathan received the brunt of it that day. To initiate the new guys the older officers would joke on them pretty bad at their first celebration. It was a little ritual that the administration frowned upon but the officers kept up diligently.

“Nathan!” George spurted as they got close.

“George!” Nathan replied. The lovely couple came over. “This is my wife Ally!”

“Hello Al,” They made eye contact. George noted that was the first time he’d ever coveted his brother’s wife, but it was not the last. He couldn’t have known that Nathan and Ally would become his and Jeanine’s best couple friends. Nor could he have known that Nathan would go and get himself caught up with a coked up high school sweetheart who suddenly reappeared into his life. If someone would have told him that when Ally found Nathan knee deep in another woman one spring afternoon when she came home early from work because Ryan was sick, that she would have came to confide in him he would have died of laughter. He wasn’t laughing when the affair started, and he wasn’t the one who died.

I gave him such a hard time that day. He remembers the day when Nathan first joined the academy. He was a young guy, with the hard-ass of a hardnosed veteran. He was a cocky little son bitch, as George would sometime say, but he was hard working.

George looks down at his clothing covered in blood. He sees the blood on his fingertips. Nathan’s blood is on my hands settles into his mind. He had always heard the term to have blood on your hands but he thought the words never grasped the full meaning of it. His palms were highlighted velvet. Stained like the shirt Nathan ruined that day. His hands stained in death. He looks up at the man in the white gloves, the man who had stolen Nathan from his family.

George is brought back to reality by the raising tone in the white gloved man’s voice. He holds in a sympathetic whimper. What am I doing? I need a plan. I need to see his face, I’ll get enough information to put him away and at least I can identify him, he reasons.

“Black Yukon Xl, uh huh got it…I know…who is this guy?...one of our guys?”

Who was he talking to? He was right, this wasn’t just some young punk with a gun terrorizing a couple through the streets, not with the way this guy was shooting. This was an organization of some sort.

“...What is this some kind of family reunion why are we complicating this? Listen, I’ve told you I’ve already been engaged by the …”

George tries to listen with the discerning ear of a detective. His hands shake. His mouth is dry and tastes of cigarettes and fear.

“take her alive? I can’t do that… I don’t care they blew up Jimmy!” the man in the white gloves strains to control his voice.

“Crap, I think they heard me,” He ducks down. More than one pair of footsteps pitter-pat outside.

George shuffles back clumsily.

“What the!” the white gloved man looks down.

Bang ! Bang! Bang ! George jumps backward down the stairs. He fires back.

“You mother fucker!” The white gloved man screams without restraint. “Change of plans I’ll call you back,” he clasps the phone shut.

Pain buzzes through George’s back but holds his gun firm.

“Hahahahahahahahahahahahah
a!”

“I’m getting tired of that stupid fucking laugh.”

Bang. Bang. Bang.

Bullets come flying through the door at the white gloved man.

“So it’s like this now? I’ll play.” He says giggling. He pulls a second gun out from behind his back and cocks it. He kicks open the door and sends a round of shots that way.

Glass shatters. A car alarm is sound.

“Turn that off will ya!” The white gloved man shouts into the lot. He fires into through the broken glass square in the door. His laugh echoes through the stair well jumping in the spaces that the gunshots forgot.

George thinks to run.

“And you!” bullets ring down around George from above like metal rain. “You must have a fucking death wish! You’re chasing me? You’re following me?”

More shots ring down the stairs. George is stuck, if he tries to run he’ll expose himself. Quick, quick, quick I need a plan. But there was no escaping the moment, it was either kill or be killed. If I can just hold out until back up comes. I wish I would have requested swat instead of a CSI team, he thinks dryly.

“You don’t follow me, I follow you,” the deranged gloved man laughs. “Do you hear me old man? You fucked up.”

Engine humming, car tires screech, doors open and close. Yes back-up is here, took them long enough.

“Fuck!” the white gloved man kicked the door to the parking lot. He runs out of the stairwell shooting as the car shrieks away. George starts heading down the stairs as fast as he can. What was going on? If that wasn’t back-up who was it?

“Fuck! Ah you just ruined everything!” the white gloved man screams. His shout echoes through the whole complex.

George takes the stairs by leaping flights. Adrenaline overcomes the pain in his back. The door to the first floor bursts open as the Black Yukon Xl rams through the divider. The pieces shatter as sirens howl in the near distance.

Part 9: Pursuit

November 2nd 2009

To Whom It May Concern:

Sorry to all my consistent readers that felt the sting of our long awaited absence. As I stated in chapter one silhouette was a project I was doing for class and that class ended. However a year later, I am reinvigorated with the creativity I need to fuel this bad boy back up. First off I wanted to come to some kind of conclusion for these characters. I have sat down for hours. I have re-read all the stories, my personal notes and worked out where this started, and how it will end, and I'm sure you should all be in for a treat. To anyone who wishes to refresh their memory all of the old silhouettes are in my old notes in 2008 under more notes.


without and further ado I present Silhouette:


More shots come from around the corner.

"I told you....I...had....a ...a...hunch..ssshhh," Detective Nathan Ramone gasps out his final breath of air, he looks out to the world, eyes glazed, as his head falls limply into George's lap; lifeless. George clutches his buddies head to his stomach. He presses the right button on the radio to speak, he presses the plastic to his lips. His breaths come in short bursts.

"Nathan!" tears well up in his eyes, "Nathan," he shakes his partner’s bloody body violently. He pounds at his chest splashing with each strike. A snarls forms on his face. He looks up at the corner he had recently fired at. Instinctively he reloads his gun.

He stands slowly then turns toward the corner. He starts off slowly but then takes off in a trot. He jogs with his gun raised toward the man in the white gloves, covered in his best friend’s blood.

Now was not the time to say I told you so, but Det. George Thomas could feel the guilt of death gripping his shoulder. Cold sweat bubbles on his face as his breathing gets deeper. He presses his body to the brick building and peeks around the corner. Nothing. He looks up at the fire escape above him. He tries to survey the street.

The black top reflects the light from the street lamps into his eye. The cars wall glows blue than red and blue continuously like the lights of an out-door rave. He holds his gun firmly. He notices that this side street is less crowded with cars. He looks for the distinctive white gloves, ready to fire. He thinks of the funeral arrangements to come. He thinks of the long walk from the driveway to the front door of his home where his wife sleeps unsuspecting. I just want to go home tonight, but now was not the time to think I told you so.

Bang!

The bullet blows the brick wall apart near his face. Bits of rock shatter on his face as he pulls away.

“Argh!” he fires back wildly into the night. Get control of yourself, Detective.

More bullets follow in similar fashion wedging and ricocheting off of the building. The street is a cacophony of blasting rock and ringing. Where is he? The ringing stops momentarily. George falls to the floor. Whoever this guy is, he’s an incredibly accurate shot. The old pain in his back starts to remind him why he filed for that desk job.

Then the sickening laughter begins once more. It bounces off of the walls; George could feel it surrounding him. Footsteps signaled movement away from him. He peeks around the corner again. The white gloves flash as the man starts to fade into the distance.

Bang! Bang! Bang! George squeezes at the fading figure. He trots forward.

He glances left and right ever so often. What the hell was going on? Maybe I should wait for backup crosses his mind as he remembers his partner’s lifeless body alongside his car in the middle of the street. But he was all impulse, and anger. There could be no turning back now.

He fights the urged to keel over in pain. He fumbles in his pocket and pulls out a small prescription bottle. It rattles revealingly as he fingers helplessly at the little pills, and shoves too many in his mouth. He chokes it down without water.

He moves as cautiously as possible. He knows that as soon as the drugs kick-in he’ll be able to pursue with something reminiscent of his youthful vigor. He had earned the name cowboy, for his fast drawing antics in the streets. He tries to remind himself of worst times, to curb the growing feeling he wasn’t going to survive this. He looks into the blackened storefront windows. No one was out, no one was awake. Anyone who was in the area must’ve run for cover when they heard gunshots.

The trail was starting to cool as he began to trot. His trot becomes a full sprint. He runs for two blocks. He is stopped abruptly by a clue. On the floor in front of him is a bloody rag, soaked all the way through. He points his gun in all directions as he goes passed a brightly lit parking complex. The open structure glows an off orange red. There are few cars inside. He looks into the florescent bulletproof security booth. He sees a black woman who looks pre-occupied with some kind of screen.

Tap, tap.

She doesn’t move. He looks around frantically.

Tap, tap.

His index and middle finger hit the glass again. This time she looks up. She makes eye contact with George and looks back at the tiny television. He taps again. She points to a sign on the window that reads: PLEASE DIVERT ALL QUESTIONS TO OUR WEBSITE AT FREEPARK24@GMAIL.COM AND NOT THE GUARD THANK YOU

He taps again with annoyance.

She turns on the speaking monitor.

“You can’t read?” she grunts angrily.

He flashes his badge to the window.

“Detective George Thomas Chicago PD.”

“And? I’m trying to watch my pictures.”

“Did you see a man with white gloves run by?”

“What?”

“A man, with white gloves, did you see a one running by about 6’ tall, wore a black-“

“No, I ain’t seen no man with black gloves. Sorry.” She says as she abruptly cuts off the speaker. She turns back towards the television.

He taps once more patienceless. The static click of the speaker turns on once more.

“What is it now?”

“A couple? Did you see a couple come in here in the last I don’t know ten or fifteen minutes.”

“A couple?”

“Yes. A fucking couple.”

“Listen officer you don’t need to cuss at me, I’m a defender of the public as well.”

“I’m sorry, this is a life and death situation, have you seen a couple.”

“Yes I saw a couple.”

“Did you get a good look at them?”

“No not quite, they just came in and took the elevator up stairs. I didn’t pay no mind to it except right
before they came a car had just recently pulled in. But I saw the man driving and his hands didn’t have no white gloves or nothing.”

“That’s all.”

His eyes look over at the metallic door on the far side of the complex.

“That elevator?”

“Yes,” she pauses “you said this was a life and death situation?”

“Yeah,” he shouts as he trots over toward the elevator.

“Should I call the cops?”

“I am the cops.”

He examines the door closely. Blood. He looks down and sees blood on the concrete as well. Did he hit
the man with the white gloves or did this belong to one of the couples? He drops down to feel the blood on his finger tips. Warm. Whoever it belongs to, it’s fresh. He remembers the hurried couple that the man with the white gloves was chasing and wondered how they fit into it.

Just then sirens blare behind him. He turns back quickly, more fire trucks, they must be stuck behind his car.

“Fuck” he whispers under his breath. Going back would mean letting this murdering bastard get away without so much as a description. But there was a building on fire, many innocent lives lay in the balance. He was an old man he was going to get himself killed. Who was he kidding, chasing shooters in the middle of the night with no back-up?…Nathan.

He runs back to the security booth. He notices the woman staring alertly.

“ Is everything okay? I’m nervous.”

“You’ll be fine, in there. Call 911 tell them that you spoke to Detective George Thomas, and he needs a crime scene investigation team immediately. Badge number 9821”

“Okay, this is exciting, I feel like I’m on Law and Order.”

“One more thing, did the couple leave? Did a car pull out since they came?”

“No.”

“No?”

“No, I have to open the gate manually.”

“If a car comes to leave no matter what happens, don’t let them out.”

“I can’t do that, it’s against policy, if they pay I can lose my job.”

“Listen! My fucking partner just died tonight alright! If you let anyone out you’ll go to jail for interfering with an investigation!”

His heart races as he pushes the button to the elevator. He steps in and presses all the buttons and steps out of the elevator before the door closes. He runs back over to the booth.

“I’m sorry for cursing at you.”

The security guard smiles with the phone to her ear and waves him on. He opens the door to the stairwell cautiously. His heart races uncontrollably as it swings towards him revealing a dank grey concrete stairwell. He swallows hard like an old cowboy does before a gun fight, and thinks of who will make the walk from his driveway to his front door in the morning.

Part 8: Laughter

November 20th 2008

To Whom It May Concern:

It's been a full week since the last installment of Silhouette. That's because I wanted the new changes to have time to sink in with the audience. Last notes comments were pretty funny. For the record drunk commenting is allowed but it is frowned upon lol but thank you Loves. Shout out to Kylie P. who I promised would have a shout out in this note lol. Um yeah so we're at an interesting place in our story, we are following Det George Thomas and his Cowboy-esque partner. I've recently been given a lot of creative inspiration from the new 88 keys album the death of Adam, to the new James Bond: Quantum Solace (thanks box) to some interesting conversations that people have been engaging me in. I hope that people are able to follow on, and I appreciate those who are not afraid to hold my writing to a high standard of expectancy and quality, and ultimately entertainment.


So without any further ado I present Silhouette:



The street they turn onto to head back toward the fire is dark accept from the light from the burning building. They drive slow. Empty cars line the street. The firelight blinds the moon and glares off of the buildings around.The road seems more like an alley than a street but is still two way.They eye a man and a woman walking fast and looking back frequently.

"Look at this," Detective Thomas motions to the jogging couple in the formal attire track suits.

"Haha hot date..."

The small burst of light in front of them draws their attention. Three shots rang out flying passed the car from the dark toward the couple. The two detectives jump ducking lower than the dashboard. George lets out a high pitched yelp.

Bang! Bang! Bang! Shots fire from all direction.

"What the Hell!" Detective Thomas yells, as he watches his partner hops out the car instinctively.

"Just like the old days!" he yells as he ducks behind the door for cover. George stays in the car but reluctantly puts it in park.

"Not like the old days..." he whispers to him from across the front seat. They can hear the sirens low hum in the background as fire trucks start to come calm the blazing skyscraper. The fire spreads onto other floors. For a moment it seems as if they're alone.

"Nathan ...stay in the car! Wait...fuck...", George looks up as more shots lodge into the windshield above him. He tries to watch where Nathan is going.

Nathan posts up behind one of the park cars along the passenger's side of the road. He peeks up and sees the gunman, he is about a half a block away. He shoots.

"Shit, this motherfucker is shooting at us! Back me up!" Nathan yells. He moves down toward the gunman. No wonder that couple was running, he thinks as he creeps along side the road. He looks around for others. He peaks into side mirrors of the car to check behind him. He looks up into the windows of the high rises around him. First a fire, in the middle of the city, and now a gunman shooting in public, I don't know what to expect, he thinks.

"Hahahaha," a hearty sound comes from the other side of the parked cars.

"Nathan," he tries to shout and whisper,"get back in the car lets call for back up." He fiddles with the radio for the dispatcher. His hands shake like a man with Parkinson. Get a hold of yourself old man, he coaxes himself.

Footsteps and gun shots fill the sky. George hears Nathan yell "Chicago PD!". He peaks up and catches a glimpse of the man with the white leather gloves. The gloves shine brightly in contrast with the mans full black attire.

George hops out of the car. He feels the old familiar ache in his lower back. His door is so close to the other side of the road he can't squeeze passed the door. He opts not to close and uses it for cover. He looks around. He can see Nathan but he can't see the shooter. I need a better angle, crosses his mind as the pain in his back screams. He crouches again, gasping in pain.

Four gun shots rang out. They find their rest in brick walls and shattered glass store fronts.

"Nathan!" he yells to his partner.

His life is at 100 mph. He hunches low against the door to the back seat of the four door impala. He inches toward the trunk. The street is so tight, the parked cars create a small metal hallway. He pops up above the trunk, gun drawn.

Bang Bang Bang! He hears the sound of the holes forming in the truck. The thud sounds like small hammers against piping and smell of smoke and burning metal. He feels the cold sweat falling down his face. It's cold enough to see your breath.

He ducks down again. His heart pounding. Deep breath, he thinks, deep breath. He peeks around the side of the trunk.

Bang!

This time the bullet whizzes by him as he pulls back a fraction of a second in time. He sees the tire on the Honda Civic parked next to him slowly deflate. The hissing sound fills the night air. He fumbles for his radio.

"Hahahahaha!"

He hears laughter. It's deep and full. A sinister laugh that you hear in the movies, but more comfortable than a dirty uncle at a Thanksgiving table. The shooter was laughing at him! He feels the anger filling in his chest.

"Nathan!" he tries to say louder this time. It is so dark.

The laughter stops, and then the street is an echo of footsteps. The Footsteps turn into a run. He looks up and sees their assailant heading toward the corner in a full sprint. He fires at the space between the flashing white gloves, as the man runs away. He starts to take off down the street.

"George," he hears his name gasped. He turns and sees the sparkle of the crimson field dripping under neath the parked cars like spilled oil. In the midst his partner lays slumped his head rested against the front tire. His legs bent and crooked under the car adjacent him. He convulses and spits. His movements are sharp breaths and rolling eyes.

"Oh shit, Nathan! Jesus fucking Christ!" He rushes back towards the car and slides into a kneel beside his wounded partner. He looks at the cowboy who lost the draw. Just another day in the wild west?

"Some fire...?" he coughs blood as he thrashes about.

"We got to get you to the hospital, you're going into shock." Detective Thomas fumbles in his pocket to find his radio:10-108...10-108! Officer down!...Officer down! Suspect is a white male in a trench coat with white leather gloves, no facial ID, I repeat no facial ID! Suspect is armed and dangerous!"

No response.

"Take my hand...." Nathan, the cowboy detective, reaches feebly.

Shots can be heard coming from around the corner where the white gloved man just ran. George tries not to be distracted but the sound makes his hair stand on end.

"Sshh! Don't talk, save your energy buddy, it's going to be alright. Stupid!" he fumbles with his coat to try to press it against his chest to stop the bleeding. He adjusts his legs a bit." Why did you get out the car, I told you to stay in the car!" he tries to look anywhere but in Nathan's eyes. His world slows as the kiss of death hovers above.

More shots come from around the corner.

"I told you....I...had....a ...a...hunch..ssshhh," Detective Nathan Ramone gasps out his final breath of air, he looks out to the world, eyes glazed, as his head falls limply into George's lap; lifeless. George clutches his buddies head to his stomach. He presses the right button on the radio to speak, he presses the plastic to his lips. His breaths come in short bursts.

"Nathan!" tears well up in his eyes, "Nathan," he shakes his partners bloody body violently. He pounds at his chest splashing with each strike. A snarls forms on his face. He looks up at the corner he had recently fired at. Instinctively he reloads his gun.

He stands slowly then turns toward the corner. He starts off slowly but then takes off in a trot. He jogs with his gun raised toward the man in the white gloves, covered in his best friends blood.

part 7: Coincidence

November 13 2008

To Whom It May Concern:

Thank you to everyone who helped for the continual inspiration. What we're dealing with here is a new era in the Silhouette series. I have to tell you where I decided to go with it was a bit of a whim, but I think this idea was for the best. I'm trying to prepare you without any spoiler warnings. Someone said Sin City though and they got me excited. Um, for those who care I wrote this section with no music, just me and the commotion of the city. Someone look into the validity of the geographical markers I'm using.



Now without any further ado I present Silhouette:



“It’s a slow night eh cowboy?” The driver turns his face to his partner.

"Yeah a real nerve jerker," they laugh. The cowboy's suit is crisp save the coffee stain on his shirt collar. He wears a navy blue jacket, with black holster that looks like old-fashioned suspenders. His coat is long and button. It is marred with dirt from sliding across dusty floors, and brushes with the concrete.

"Almost forgot to take this off." The driver rests his wrist on the wheel to stair. He blinks at the headlights, then twists the gold band around his ring finger. "The misses would never understand if I lost this thing."

"Oh she'd understand alright: Damnit George you were out at the bars again," they laugh again.

"Yeah, yeah, what about your old lady? You go out to the bar and she's calling my cell: Hello Detective Thomas, Detective Thomas, sorry to bother you but have you seen Na-" he's more interrupted by the sound of the cowboy's hand against the back of his head, than he was the slight sting.

"Eh, knock it out."

"What?"

"That's my wife."

"Whatdya mean? A second ago..."

"Hey," he says with finality as Detective Thomas trails off.

"What?"

"Knock it off."

"Alright, alright, alright already. I'll quit it."

The car smells of old coffee and cigarettes. The leather seating is ripped on the side of the both chairs and starting to fade. The driver looks ahead still filled with the annoying feeling in his chest building. The cars lights blur into a continual stream.

"You want to take a quick spin into the South Side?"

"No I'm not looking for trouble tonight, just wanna get it and get out."

"God bless Chicago."

"Amen."

"Pull over."

"Where?"

"There," he points out the window.

"Dunkin Donuts, really?"

"I need more coffee."

"Uh huh."

"What?"

The car bumps up into the drive through of Dunkin Donuts. The car bounces spilling old coffee out of the old McDonald's cup and onto the ground but neither men pay it any mind. They pull around into the line of the drive through. A group of young girls stands outside, they huddle together in the cold giggling.

"Look at that right there," the detective calls out with a whistle.

"Shut up," a blond one in a red sweater yells back.

"Hello, welcome to Dunkin Donuts can I take your order."

George turns to his partner: What do you want? he asks.

"Give me 3 jelly filled, one Boston creme, and a frosted, and get one for yourself."

"That it?"

"Yeah,"

"Why are you looking at me like that?"

"I thought you said you wanted coffee?"

"What differences does it make, get me a coffee."

"Hello sir can I take your order?"

"Hold on will ya? I want 3 jelly filled-" he's interrupted by the radio in the car:

All cars we have a 2267 may be in process, in the loop off of Roosevelt road.

" Does that complete your order?"

Detective Thomas looks to his partner. The age worn lines in his face wrinkle as he wraps his mind around what the radio is trying to say. He frowns. The sounds of the radio and the voice from the speaker box mangle into a ruckus.

"Did you ear that? We're right around there..." his voice falls into the damp spots of coffee on the car floor. He looks around.

"I don't see a fire?"

All cars emergency, emergency, 2267...

"This has had to have just started."

"Sir does that complete your order."

"Shut up!" they both yell at the Dunkin Donuts speaker box.

"What are we waiting for lets go?"

"I don't know George, I was looking forward to a quiet night, some Dunkin Donuts. We're not on a case, their are tons of units out, I mean its only an Arson."

"We're probably the closest in proximity we have to respond."

"Excuse me, sir, excuse me can you please complete your order or move your car."

With those words floating between them they speed out of the line and onto the street.

"Turn your sirens on!" The cowboy partner insists. They had not been driving for 45 seconds when they saw it. A dazzling blaze spitting out of the windows of a high raiser. They watch as the inferno licks at the side of the building reflecting off of the glass exterior. Things crackle and pop. They race toward the building commotion as everyone speeds away. People in the streets stare and point, while others start to scurry in panic.

"Why are we here we're not not firefighters." Detective Thomas leans forward over the wheel to look up at the flame as they drive closer. They pull up to the building as people come pouring out of the front. They hear fire truck sirens in the distance. They turn their sirens off and continue.

"I don't know pull around back."

They drive a couple one way streets passed the building and spin around.

"For what? What are we doing?" Detective Thomas asks exasperatingly.

"Just pull around, I have a hunch, so pull around."

"You have a hunch? It's a fire, you got a hunch," he mocks sarcastically.

The street they turn onto to head back toward the fire is dark accept from the light from the burning building. They drive slow. Empty cars line the street. The firelight blinds the moon and glares off of te buildings around.The road seems more like an alley than a street but is still two way.They eye a man and a woman walking fast and looking back frequently.

"Look at this," Detective Thomas motions to the jogging couple in the formal attire track suits.

"Haha hot date..."

The small burst of light in front of them draws their attention. Three shots rang out flying passed the car from the dark toward the couple. The two detectives jump ducking lower than the dashboard. George lets out a high pitched yelp.

Bang! Bang! Bang! Shots fire from all direction.

"What the Hell!"

Part 6: Exodus

November 10th 2008

To Whom It May Concern:

Okay this is good we're starting to develop some sentiment towards the characters their thought processes and the decisions they're making. I hope you're ready for this...

I'm looking for another venue or online based community to share this work, so if you think that this is worth investing a little extra online time it'd be greatly appreciated. I like to thank everyone for their comments last note, and I ENCOURAGE YOU ALL TO RESPOND TO EACH OTHER. Reading that is simply inspiring.As always the beginning of the story will be the last few paragraphs of the last story. Big ups to Obama! Yes We Can.

Now with no further ado I present Silhouette:



Where did he go? Anxiety enters with the moonlight. It slithers across the hardwood floor, passed the tapestry, passed the wine cabinet with the phone, and over to Delilah. Panic starts to pull at he. She feels her legs get weak.

She jumps startled as she hears shots fire in the hall.

She falls back in horror, and puts her hands over her mouth to keep herself from screaming. The feel of her own fingers brings to mind the hands that just touched her mouth. His hands, his dead cold hands. Why did she let him go out there? And now that he was gone who was going to protect her. He was dead she knew it, and it was all her fault. Just like the broker, just like Allen. She was a dark omen, with the blood of men on her hands and in her shadow. Don't scream, she screams in her mind. Don't scream; more shots fire. Than all that's left is silence.

The door burst open. She screams and fires four times...



Her hands fall to the side. The freshly fired gun warms her hands. She feels the muscle strain from the recoil. The air still rings with the echo of gun shots.

Death enters the room with the moonlight and the wind. He swoons over his victim and kisses him. Delilah watches. I just killed a man is the first thought she thinks. Then she exhales. The situation dulls the buzz of the wine, and sobers her. I am the hunter, she remembers. Memories of her training at the department flash through her mind:

She could still visualize the dull grey firing range. It was in the basement of the division building in Arizona. She had stood in a line of 25 recruits from all the different sectors of government, business, and the armed forces. She was invited for her skills with technology, but she was selected for her accuracy:

"Two in the head two in the heart" Don screams as she aims at the dummy.

Four shots ring out.

"Very good, Janine."

"Thank you, Don."

"You're going to make an excellent field agent."

She laughs. I'm going to make an excellent field agent she thinks. Her body moves mechanically all her emotions are drained from her. All that's left are instincts and detached thoughts.

"Watch the windows," Anderson had said. She crawls over to the dead body. The first thing she notices is the bowl hat near the head. The man's face was torn and bloody. His clothes quickly soak with blood, quicker than the broker she thinks. She looks into the hallway, remembering Anderson saying that maybe their were more. She peeks her head out the door swiftly and comes back, no one to the left. She sticks her head out once more to the right.

"Delilah."

"Shit..." she gets off of her knees and runs to him. Laying slump in the midst of the hallway lay the wounded lion of a man.

"Good shooting." he croaks bloody.

"Anderson, you're shot."

"Flesh wound." he tries to stand, but groans in pain. He manages to sit forward with her help.

"You're crazy."

"That's how we have to be." He breathes heavy. She examines the wounds, nothing had penetrated any major arteries...he would live. Her hands caress his face tenderly.

"Think we woke the neighbors?" she flashes a smile. He laughs in pain and spits blood.

"They're pretty solid sleepers, but yes."

"I'm glad you wore your vest."

"We can't stay here...." he forces himself to his feet. The wound in his arm and shoulder drip onto the carpet.

"Shhh.. They never send one, its always two. His partner will be here soon when he doesn't check in."

He walks slowly to the dead body in his doorway and looks it up and down. He kicks it once. He kicks it twice.

"What happened?"

"When I came out the door I just rushed him. We fought a bit. Than I lost my footing, and my shoe. He gun butted me and shot me three times. That's when he kicked in the door and you shot him."

"I killed a man."

"Yes a bad man, he shot me, and was going to ki-" she silences him with a bloodied finger to his lips. His blood is sticky between his mouth and her finger.

"It's okay Anderson, I knew the consequences." she pause for a brief moment. "What now?" she asks.

"We get out."

"We have to clean this up somehow."

Delilah runs to the bathroom and grabs cleaning materials. Mop...Bucket... Bleach... 407... Ammonia... Pine for the hardwood. I just killed a man, she thinks once more. Her hands move precisely, she had to be strong. When she returned from the bathroom Anderson had already wrapped the body in plastic, and was putting it into a large duffle bag.

"How'd you like your first week in the field?"

She doesn't respond. She pours pine and ammonia on the floor haphazardly and mops as fast as she can. The world is music and sloshing buckets.

"Turn that music off," she commands. He complies.

Anderson walks back into the living room. They stand across the room from each other, the couch in between. Moments earlier there was a dead body where she stood, now the room looks as inviting as it ever did. As he gets closer she can smell the gasoline on his clothing.She surveys the room. It looks almost as clean as when they first arrived.

They walk to the doorway together.

"Did you leave the pilates on like I asked?"

"Yes."

"Did you call the police from the house line?"

"Yes."

"I just got a text from Don."

"Then shall we?"

The two turn and leave the apartment side by side. As they exit Anderson pulls out two cigarettes. He lights both. He takes one pull of the first. Then he lights the other. He tosses it lightly in the air.
The gasoline meets the cigarette, the embers of the tobacco excite the sodden hardwood floor.

As they exit out the back they hear the room explode. Sirens blare in the distance growing nearer. She clutches to Anderson side, to help him stay afloat.

Vrrm. A bullet whizzes by her head and fractures the building behind her. She throws Anderson to the side and pulls her gun. Two more bullets whiz by...